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And on Thursday, Garland showed that he was getting some things right: Dance Theater, now in its 55th season, has a vintage kind of glow. The company, along with its dancers, seems to be more sure of itself: It’s growing into a sense of style. Honoring Mitchell was a reminder of why Dance Theater, born after the assassination of the Rev. Along with showcasing the transformative power of ballet, Garland writes in the program, Mitchell used Dance Theater as a means for social justice in part by way of its repertoire: George Balanchine ballets were performed alongside works by Black choreographers like Geoffrey Holder. 2,” which braids social dance with classical ballet.
Persons: Robert Garland, “ Arthur Mitchell, , Robert, , — Mitchell, Garland, Mitchell, Martin Luther King Jr, George Balanchine, Black, Geoffrey Holder, curation, , , Marius Petipa Organizations: New York City Center, Dance Theater of Harlem, Locations: New
For a company to unveil a decent new ballet is a strange and marvelous occurrence. To unveil two in one season? Quality choreography that celebrates classicism, that highlights musicality — that even pushes the form into new realms — isn’t the norm. But at New York City Ballet this season, two premieres were worthy of many more viewings — and in the case of Alexei Ratmansky’s harrowing “Solitude,” set to Mahler, endless ones. Inspired by a 2022 photo of a Ukrainian father kneeling before the body of his dead son, the ballet filled the stage with bodies expressing the tangible ache of grief and love.
Persons: Alexei Ratmansky’s, , Mahler, Ratmansky, , , Tiler Peck, Francis Poulenc, Peck, Peter Martins, Jerome Robbins, George Balanchine’s, Mary Thomas MacKinnon’s Organizations: New York City Ballet, City Ballet, della Locations: New, Ukrainian, della Regina
Pictured in a publicity shot for the original production of “George Balanchine’s The Nutcracker,” in the role known as Tea, was a young Asian dancer identified as George Li. For Lin, a veteran newspaper reporter turned documentarian, the picture raised intriguing questions. In 1954, when the photo was taken, it was rare to see dancers of color on the stage of New York City Ballet, the company Balanchine co-founded. Who was this young man, this breaker of racial barriers, this pioneer? And if so, what was he up to?
Persons: George Lee, he’s, Lee, Jennifer Lin, George Balanchine’s, George Li, Lin, Balanchine Organizations: Four Queens, New York Public Library, Performing Arts, New York City Ballet Locations: Las Vegas, Casino, New
CNN —The Osage Ballet overlooks a creek in Pawhuska, Oklahoma, on the Osage Indian reservation. The Osage Ballet hopes to continue to inspire a new generations of dancers in her honor. But Tallchief refused and insisted on dancing as Maria Tallchief, keeping her Osage name, according to a biography of the ballerina by the School of American Ballet. Ballerina Maria Tallchief WATFORD/Mirrorpix/Getty ImagesElise Paschen, Tallchief’s daughter and a poet, told CNN her mother took great pride in her heritage. Smith said she hopes the Osage Ballet will continue Tallchief’s pioneering legacy of dance and Native American representation in ballet.
Persons: Elizabeth Marie Tallchief, Randy Tinker Smith, she’s, “ I’ve, ” Smith, America’s, Tallchief, Maria Tallchief, Ballerina Maria Tallchief, Elise Paschen, ” Paschen, ” Kate Mattingly, ” Mattingly, Mattingly, Tallcheif, George Balanchine, Balanchine, John Martin, , “ Balanchine, Paschen, , ” Tallchief, Princess Wa, Smith, ballerinas, Maria Organizations: CNN, Osage Ballet, Osage, New, School of American Ballet, Ballerina Maria Tallchief WATFORD, Old Dominion University, New York City Ballet, Firebird, The New York Times, Lyric Opera of Chicago, Ballet Locations: Pawhuska , Oklahoma, Fairfax , Oklahoma, Osage, Beverly Hills, Carlo, Oklahoma, United States, Europe, Swan Lake, An
Where “The Dream,” a Ballet Theater staple in recent decades, is a reliable showcase for the company’s theatricality, George Balanchine’s “Ballet Imperial,” on the same program, is good for displaying the troupe’s classical chops across its ranks. Unlike New York City Ballet, which has called the work “Tschaikovsky Piano Concerto No. 2” since the 1970s, Ballet Theater doesn’t downplay the imperial Russian associations, using a backdrop of St. Petersburg. That’s a choice that might disturb some viewers, but Ballet Theater’s rendition also had aesthetic problems. De la Nuez goes for it, too.
Persons: George Balanchine’s, , That’s, Skylar Brandt, Isabella Boylston, James Whiteside, Alonzo King’s, Alexei Ratmansky’s “, Jason Moran, Robert Rosenwasser, Jim French, Brandt, Calvin Royal III, King, Michael de la, De la Nuez Organizations: Ballet, New York City Ballet, Dnipro ” Locations: St . Petersburg
American Ballet Theater opened its fall season on a high note: Alexei Ratmansky’s “Piano Concerto No. The program, part of the first New York season created by the company’s artistic director, Susan Jaffe, gradually lost steam. “Petite Mort” (1991) is flimsier than ever. Devon Teuscher’s clean, classical elegance lent the overlong work a boost of grace and energy, but the ballet, created in 1948, is hardly a good time capsule. In a program note, Lander describes his ballet as “an expression of myself, and of my thoughts on dance.
Persons: Alexei Ratmansky’s “, Mort ”, Jiri Kylian, Harald Lander, Susan Jaffe, Devon Teuscher’s, George Balanchine’s, Frederick Ashton’s “, , , Lander Organizations: Ballet Theater, New, Lincoln Center Locations: New York
While celebrating its 75th anniversary this fall, New York City Ballet is performing 18 ballets by its founding choreographer, George Balanchine. But to get a sense of the global standing of Balanchine, 40 years after his death, other numbers might be more telling. Last year, for instance, around 50 other ballet companies across the world performed his works, about 75 dances in total. Balanchine likened his ballets to butterflies: “They live for a season.” But they have lasted much longer than that. They have become classics, cornerstones of the international repertory, 20th-century equivalents of 19th-century staples like “Swan Lake,” danced everywhere by all the major ballet companies and most of the minor ones, too.
Persons: George Balanchine, Balanchine, Organizations: New York City Ballet, Ballet Locations: New, , America
Let her dance.’”She was short, her turnout was nonexistent and her feet needed a lot of work. She is firm about one thing: If her young self were to audition for the School of American Ballet today, she wouldn’t get in — much less into the company. And I think that was the main thing he respected about me. And I think he saw that I loved to dance.”Walczak was also a sharp observer. (With the dancer Una Kai, she wrote “Balanchine the Teacher,” a jewel of a book examining the fundamentals that shaped the company’s first generation.)
Persons: , , “ ‘ We’ve, wouldn’t, Mia Slavenska, Slavenska, , ” Walczak, I’d, Una Kai, “ Balanchine, Suzanne Farrell’s Organizations: School of American Ballet, Ballet Russe, Carlo, Radio City Music Hall, Ballet Society Locations: Balanchine’s
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